Wednesday, October 30, 2013

Dating--Again


I hear from my friends that the dating scene is no more fun now, in fact, much worse, than our angst-ridden teen times. Holy cow!

And to hear some tell it, it is much, much worse. There is still the appearance-thing, the confidence-thing, will-he-call-me thing, and the how/when-do-we-escalate-this thing. Those anxieties are givens at any age. But for adults, it’s also complicated by the who-pays-for-what thing and who-gets-the-door thing. Honest.

When Lil’ Bro began dating again after his wife died, we had many a talk. His date wanted to pay sometimes. She wanted to open her own door if she happened to be there first. Stuff like that. He had some out-moded notion (well, he hadn’t dated for 40 years) that guys were supposed to do it all. I told him it was the 21st century and to get with the program.

Sure, it’s nice to open the door of the restaurant, but not if it’s awkward reaching around and nearly crushing her to get to it first. Let her open the damn door. She’s not that delicate, I hope. I open the door if I get there first, and then let the other person--male, female, indeterminate--go through. That is common sense. And polite.

Same with paying. Why, why, why should guys always have to fork over the cash? Especially with women of a certain age (ahem, my friends, I mean). They’ve got enough money to pay for their own food. So splitting the cost or alternating paying makes perfect sense. It also has the benefit of signaling that the woman is not for sale. Getting between my legs is going to cost more than dinner, Fella.

An interesting thing about all this is that the woman must initiate the discussion about date responsibilities. Sadly, if a guy says, “You pay tonight”, women, paradoxically, think he’s being cheap. No, we have to do it because we are weird that way.

Friday, October 25, 2013

Sex for Sale, Book Two in the "Sex Sells" Trilogy


I have been working on my erotic romance, Sex for Sale (tentative title), the sequel to Streetwalker. It will be the second book of the trilogy, “Sex Sells”. My plan is to have it off to my editor, Sascha Illyvich at Sizzler Editions before the clock tolls a new year.

I am finding it hard to limit this book. I want so much to happen to set up Book 3, but I know I am being unrealistic. I should just bite the bullet (Do you love the cliché, Sascha?) and move a bunch of stuff to book three. Or not?

Here are the 10 key events for Sex for Sale. Please chime in if you have ideas for other complications/characters/plot lines. The more the merrier (Just for you, Sascha)!

1) Carrie and Harlan have settled into a conjugal-sans-legal commitment, new for both of them.

2) Carrie’s mother shows up and Carrie deals with her baggage from childhood.

3) Harlan has withdrawn more and more from the whore house business to focus on his photography, a talent Carrie encouraged him to develop, but Carrie resents having to carry (!) the business on her own.

4) Carrie develops new products and new delivery modes which Harlan tries to squelch. They include DikMilch, a skin cream made from cum; art gallery with a restaurant with prurient foods; on-line services while clearing out the in-house services, etc.

5) Bored and feeling neglected, Carrie takes up with a fellow who is an undercover Vice cop. She inadvertently implicates Harlan and herself in criminal activity.

6) Laurel comes back into their lives. She tries to snare Harlan but is rejected after an aborted sexual encounter. She turns to the D.A. and makes a plea bargain deal that implicates Harlan but clears her.

7) Laurel engages in risky sex play leading to her death; Harlan is a major
suspect.

8) Harlan is arrested. His mother is gravely ill. His sister tells him to come clean to mom about his work so he can move on with his life and resolve his commitment and sexual issues.

9) Harlan is cleared of Laurel’s death.

10) Carrie wants more than Harlan does from their relationship, but he is inching toward marriage. Meanwhile, Carrie and Harlan recommit to their relationship and turn to legal ways to make money using sex. They sell their brownstones and buy a condo overlooking Central Park.

Would you read a story like this? What’s missing? Do you believe a sex addict and a prostitute can make a go of it? Stay tuned!

Thursday, August 22, 2013

Writing Erotic Folk/Fairy Tales for Fun and Profit


You might be surprised to learn there is a whole cadre of writers of erotic folk and fairy tales. It’s sort of like the old Rocky and Bullwinkle TV show’s “Fractured Fairy Tales” taken up a few notches.

I mean, really, just think what you could do with plot line like Sleeping Beauty. Horny young prince comes upon sleeping maiden. (How does he know, by the way--whether she’s a maiden? After all, once you know for sure, then she isn’t!) What to do, what to do? He takes liberties, of course. And she awakens gladly into his arms. Riiiight! Not in real life. She’d be ticked off. And then the fun begins.

Then there’s the matter of Snow White (sure she is) living with seven guys. Cozy, eh? Sounds like a case of nymphomania, to me. Wonder if she likes it in ménage or if she just takes them on one at a time? Does she give each Dwarf his own day or does she have favorites she pops more than once a week? And how about the “equipment”? I’ve heard--never had direct experiences--that the dwarves weren’t dwarf everywhere.

If you like your folk tales spicy hot, check Annie Eppa, A. Violet End, Selena Kitt, Cerys du Lys, Adriana Hunter, Elizabeth Black, Nadia Wilde and others. It is a field that just keeps attracting more and more erotica writers.

How can I resist? I’ve always loved folk tale variants, so here is the start of one of my erotic folk tale books. When I finish it, you’ll know!


SCARLETT IN THE HOOD
by
Angelica French

CHAPTER ONE

    Prince Wolfe leaned his back against the headboard and pulled Nana to his chest. His fingers trailed down her arm and her shiver rubbed her nipples deeper into him. She watched his eyes as she moved again, pressing into his hardness.
    “Whoa, Girl!” Prince held her back. “Let a guy rest, will ya? Damn. I thought I scratched that itch. You’re one hot woman, you know that? But if you want to play some more . . .”
    He pushed her head lower, and shifted himself so she could find what she looked for.
    “Rinnnnggg. Rinnnnggg.”
    Nana looked up, annoyed at the interruption. “Damn phone.” Nana leaned across Prince, draping her breasts on his legs. “Hello?”
    She listened to the response. She mouthed “my daughter” to Prince as she looked over her shoulder. She pushed herself upright, and held the phone close to her mouth and gave a big cough. “No, Honey. It’s not really better. I told you before, I don’t think we should get together tonight. I’d better rest. I’m in bed now.”
    Prince smirked as he reached over and tweaked a nipple.

Wednesday, August 14, 2013

Streetwalker Excerpts


Here are two teasers from my erotic romance, Streetwalker, out August 1 from Sizzler Editions. I hope you go to Amazon and download your copy onto your Kindle after reading a bit about Carrie and Harlan. The book opens with a decision point for Carrie:

“Oh, Baby! Oh, yeah, Baby. Oooh, oooh, yeah, oooh. Unhhhhh!” The dock worker held her down while he screamed his release, his hot breath redolent with beer. The smell of diesel fuel on his hands sickened her, dandruff showered her face from patches of thinning hair as he hard-rode her, pinning her shoulders to the thin mattress. The biting jab of aching muscles meant she’d be swallowing another Flexeril after he left. Her skin split where his broken fingernails dug in. He threw back his head and jerked into her two more times before he collapsed, the bulk of him spilling onto the space on either side of her body.

Long ago, Carrie learned to go to “not here” during sex. She tolerated the body pumping into hers if she went somewhere else.

She looked down at his greasy hair covering her tits. She restrained herself from lifting off the dead weight of her John. She knew the rules. He initiated the withdrawal of his limp cock from her pummeled body. He owned her for the remainder of his fifteen minutes. Nine minutes to go.

She waited, still beneath him, afraid her stirring would get him going again. While waiting out her time, she rehearsed the steps of her escape from this hellhole of a whorehouse. After tonight, if it went as planned, everything would be different. No. More. Fucking. Ever. Ever. Again.

Later on, Carrie is telling Harlan about her past. She finds herself attracted to him but fighting that feeling:

Carrie convulsed and her laughter sputtered out. "Only you, Harlan, would worry about SPF levels when you take a girl on a picnic. I love you," then realizing what she had said, she tacked on, "like a brother. Oh, God, no. Not like a brother," remembering her past a beat too late. "Like ... a business partner."

He shook his head. "That's better. I do not want you thinking of me as a brother!"

If you wonder what the book is about, here’s the blurb:

Carrie is a smart woman with a dark past and more than her share of heartache. Determined to retire early from hands-on sex work, she uses her skills as an exhibitionist to bargain for partial ownership of a high-end, brownstone bordello in New York City with the erudite, handsome and powerful Harlan Ledbetter.

But even though she's only 22, Carrie's already been in her line of work far too long. Besides the fact that sex has been little more than Work for most of her adult life, Carrie also has to contend with painful memories of abuse at the hands of her stepbrother. Could sexuality ever truly belong to her? Could it ever become something she would want?

Harlan, meanwhile, certainly wants more than a business partnership with this stunning woman – and the feeling may be mutual, if Carrie can let herself want him as much as she fears she does. But she has a long way to go before she can give her heart and body to a man willingly. How will she get there? If there's one thing Carrie has learned, it's how to negotiate. She has a feeling this skill will come in handy with Harlan in more ways than one.

Carrie approaches Harlan with a unique business proposal – one that offers more than just a way to run their bordello, but a whole new outlook on life, sexuality and love. Intrigued, he takes her on...

Streetwalker is Part One of Angelica French's exciting new "Sex Sells" trilogy.

You can buy Streetwalker here:

Also check out the Angelica French author page on Amazon: https://www.amazon.com/author/angelicafrench

Tuesday, July 30, 2013

The Cover for Streetwalker

I just got this last night, and I am so excited. I am grateful for all the work of my editor, Sascha Illyvich, for Sizzler Editions (an imprint of Renaissance E Books), and my publisher, Jean Marie Stine.

Here is the cover for the first book in my "Sex Sells" trilogy. Streetwalker is coming out late this week and will be available on Amazon for your Kindle.


Carrie is a smart woman with a dark past and more than her share of heartache. Determined to retire early from hands-on sex work, she uses her skills as an exhibitionist to bargain for partial ownership of a high-end, brownstone bordello in New York City with the erudite, handsome and powerful Harlan Ledbetter.
 
But even though she's only 22, Carrie's already been in her line of work far too long. Besides the fact that sex has been little more than Work for most of her adult life, Carrie also has to contend with painful memories of abuse at the hands of her stepbrother. Could sexuality ever truly belong to her? Could it ever become something she would want?
 
Harlan, meanwhile, certainly wants more than a business partnership with this stunning woman – and the feeling may be mutual, if Carrie can let herself want him as much as she fears she does. But she has a long way to go before she can give her heart and body to a man willingly. How will she get there? If there's one thing Carrie has learned, it's how to negotiate. She has a feeling this skill will come in handy with Harlan in more ways than one.
Carrie approaches Harlan with a unique business proposal – one that offers more than just a way to run their bordello, but a whole new outlook on life, sexuality and love. Intrigued, he takes her on...
 
Streetwalker is Part One of Angelica French's exciting new "Sex Sells" trilogy.
 
 

Saturday, May 25, 2013

Deep into Edits

I got it! My editor, Sascha Illyvich at Sizzler Editions, sent me edited manuscript for Streetwalker.

My turn now to work on it again. It feels so real now that this is happening. Which is not to say it's easy.

I knew there were two scenes that could cause me trouble. Turns out there were three.

One scene is a retelling of sexual abuse over years of an underage character. That one might fly, since it's a retelling, but the editors will have the final word on it. I consider it critical to defining who the character is and why she did what she did. Can I salvage the intent and lose the explicit descriptions? I don't know. I am still pondering how I'd do it. The horror needs to show through.

Another scene, bestiality, I knew would get bounced. I'm okay with that. I was prepared for it, so I am re-writing it with an auto-eroticism scene featuring Ben Wa balls, two-entry dildo, butt plug, and Sybian saddle. That should do it, plus it is always more fun (for me) to create than to edit.

The third scene was a surprise no-go. Or rather, it needs modification. Who knew rape and torture were no-no's in erotic romance? Sigh. That one can be fixed with an earlier entry (so to speak!) from the hero onto the scene. I think it will lose it's punch, but, hey! Editor, I will do whatever you want!

I did the easy stuff first, word/sentence-level changes. So off to work some more magic so you will have a chance to read Streetwalker sooner rather than later.

Come back for the cover reveal and an excerpt from Streetwalker to get you interested in Carrie and Harlan's story.

Tuesday, May 7, 2013

Waiting


The life of a writer is filled with episodes of waiting in between periods of frantic composing and revising. No one ever mentioned that in any job description I read.

Write, write, write. Send off to critique group members. Wait, wait, wait.

Revise, write, revise, write. Send off to beta readers. Wait, wait, wait.

Revise, write, revise, write. Send queries to agents and/or editors. Wait, wait, wait.

Write something new. Write, write, write. Still waiting on query responses.

Send something new to critique groups. Still waiting on query responses. Waiting for critique group feedback.

Joy, joy, joy. Send full ms. to agent or editor. Wait, wait, wait.

Let me fast forward here to the signed contract. First draft is being edited. Wait, wait, wait, wait, wait, wait.

This time the wait is different. You’re under contract. It’s going to happen. This time, though, the wait means someone else is deciding what works and doesn’t work, what should be cut, where you need to add material. This time it’s not a critique group or beta reader. This is for real.

I am in the waiting game with editors for two manuscripts. I can’t help myself. I check hourly (for weeks now, mind you!) to see if the manuscript is back on my turf ready for me to take another whack at it.

I am terrified. What if what I am asked to do is beyond my scope? What if I can’t add more dramatic tension or tie subplot lines into the main plot? What if . . .?

So I wait. Not knowing. Worried.